Tag Archives: disruptive fiction

The Mother of all Writing Crises: Disruptive Fiction

Introduction

Recently, I rode on Amtrak recreating Edgar Allan Poe’s last trip northward. (As covered in Saving Eddie.) Amtrak has a Writer’s Residency. However, I like writing when the mood strikes without conditions.

As discussed earlier, I enjoy using a steno pad when writing in the air or traveling by rail, This time was no exception. What came forth was an over a four thousand word work called tentatively Waverly. The title is a nod to Sir Walter Scott’s Waverly novels which includes Ivanhoe.

Two Types of Disruptive Fiction

This new story became a case of disruptive fiction of which there are two kinds.

The first type is a work that is so unique that it immediately catches your attention. Q by the Wu Ming Writers’ Collective is one possible example.

But the more interesting area is fiction that disrupts your writing schedule.

Questions Concerning Disruptive Fiction

The following are some of the questions that Waverly brought to the surface and their resolution to date:

  1. What do I do with it? It is too short to be part of a book. I don’t have a new short story collection planned to place it. It could easily grow into a series of related stories. (Which would be a first for me.) So right now it is my experiments folder. There is a strong possibility that it is never released.
  2. Do I want to publish this now? There is too much that I am already working on such as finishing up Missed Landing and second edition updates to Simply Business/IT and Transitions 1.  (Each with one new story.) So the earliest that this would be published is 2016.
  3. How do I classify it? Is it a simple story, a political fable, a fictionalized guidebook for the ruling elite, science fiction, or something else? Again, I am not sure yet. With rewrites, it could be expanded and go into many different directions.

Conclusion

In conclusion, even if you think things are settled with your writing schedule, ideas may unexpectedly spring forth that may need exploring. Sometimes I put things on the side and other times I switch and make this a primary focus. The latter path includes Saving Eddie, Killing Thoreau, Ghosts vs. Robots, and now Missed Landing.

But that is my story and I am sticking to it. Which will YOU choose when a creative idea wants to disrupt your writing life?